{"id":3276,"date":"2013-03-29T16:54:20","date_gmt":"2013-03-29T15:54:20","guid":{"rendered":"http:\/\/edmondmorrel.be\/?p=3276"},"modified":"2020-11-13T16:57:52","modified_gmt":"2020-11-13T15:57:52","slug":"patrick-verlinden-1958-revisite","status":"publish","type":"post","link":"https:\/\/edmondmorrel.be\/?p=3276","title":{"rendered":"Patrick Verlinden : 1958 revisit\u00e9"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>\u00ab\u00a0Zones d\u2019ombre\u00a0\u00bb de Patrick Verlinden<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Patrick Verlinden se pr\u00e9sente ainsi&nbsp;:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u00ab\u00a0Bruxellois con\u00e7u pendant l\u2019Expo 58, publie une septantaine de contes fantastiques et nouvelles SF entre 1993 et 2001. Anime le temps de quelques num\u00e9ros la d\u00e9funte revue Magie Rouge. Deux recueils fantastiques&nbsp;: \u00ab&nbsp;H\u00f4tel des Sargasses&nbsp;\u00bb (la Rose de Ch\u00eane) en 96 et \u00ab&nbsp;Zone d\u2019ombres&nbsp;\u00bb (Centre d\u2019Arts d\u2019Ixelles) en 2011. Un cd-rom en 2002 (avec Mythic)&nbsp;: Les Livres des S\u00e9ries T\u00e9l\u00e9s. Ecrit des scenarii BD&nbsp;: Club Colonial (dessin Antonio Lapone &#8211; 2011) et Le Jour o\u00f9 la Mer Disparut (Lode Devroe &#8211; 2013) chez Uitgeverij Bonte (\u00e9ditions bilingues) et officie sous le pseudo de Shesivan sur le site&nbsp;<a href=\"http:\/\/www.generationbd.com\/index.php\/previews\/1427-sortie-de-lalbum-de-notre-chroniqueur-patrick-verlinden-shesivan-a-antonio-lapone-qclub-colonialq.html\" rel=\"noreferrer noopener\" target=\"_blank\">G\u00e9n\u00e9ration BD<\/a>&nbsp;avec chroniques, articles et interviews\u2026\u00a0\u00bb<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sur le site de \u00ab\u00a0G\u00e9n\u00e9ration BD\u00a0\u00bb son actualit\u00e9 est en premi\u00e8re ligne&nbsp;:&nbsp;<em>\u00ab\u00a0A l\u2019occasion du Stripfestival de Knokke-Heist qui se d\u00e9roulera le 08 mai 2011, para\u00eetra \u00ab&nbsp;Club Colonial&nbsp;\u00bb, un tirage sp\u00e9cial illustr\u00e9 par Antonio Lapone avec un texte in\u00e9dit de Patrick Verlinden. Il s\u2019agit d\u2019une \u00e9dition bilingue de 48 pages limit\u00e9e \u00e0 100 exemplaires num\u00e9rot\u00e9s et sign\u00e9s.\u00a0\u00bb<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nous l\u2019avons rencontr\u00e9 chez lui \u00e0 l\u2019occasion de la r\u00e9cente publication d\u2019un recueil de nouvelles&nbsp;: \u00ab\u00a0Zones d\u2019Ombre\u00a0\u00bb parues au Centre d\u2019 Arts d\u2019Ixelles.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La premi\u00e8re question, non enregistr\u00e9e, concernait sa contribution au prochain num\u00e9ro de la revue \u00ab\u00a0MARGINALES\u00a0\u00bb dont la th\u00e9matique est le mariage pour tous&#8230; Patrick Verlinden nous raconte ce dont il est question dans sa nouvelle&#8230;\u00a0\u00bbPour le meilleur et pour le pire\u00a0\u00bb<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><br>Edmond Morrel<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nous avons \u00e9galement enregistr\u00e9 une courte video \u00ab\u00a0Avant l\u2019interview&#8230;\u00a0\u00bb<\/p>\n\n\n\n<figure class=\"wp-block-embed-vimeo wp-block-embed is-type-video is-provider-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Patrick Verlinden\" src=\"https:\/\/player.vimeo.com\/video\/62955005?dnt=1&amp;app_id=122963\" width=\"1170\" height=\"658\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed-spotify wp-block-embed is-type-rich is-provider-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Spotify Embed: Patrick Verlinden : 1958 revisit\u00e9\" width=\"100%\" height=\"232\" allowtransparency=\"true\" frameborder=\"0\" allow=\"encrypted-media\" src=\"https:\/\/open.spotify.com\/embed-podcast\/episode\/4dqAkJBq5ScJNNVG2htZSL?si=8uKppB-YSJmpKUA0HGDn4w\"><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u00ab\u00a0Zones d\u2019ombre\u00a0\u00bb de Patrick Verlinden Patrick Verlinden se pr\u00e9sente ainsi&nbsp;: \u00ab\u00a0Bruxellois con\u00e7u pendant l\u2019Expo 58, publie une septantaine de contes&nbsp;[&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3277,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-3276","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entre-les-lignes","post-item clearfix"],"_links":{"self":[{"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/posts\/3276","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3276"}],"version-history":[{"count":1,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/posts\/3276\/revisions"}],"predecessor-version":[{"id":3278,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/posts\/3276\/revisions\/3278"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/media\/3277"}],"wp:attachment":[{"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3276"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3276"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3276"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}