{"id":1788,"date":"2012-03-07T12:32:46","date_gmt":"2012-03-07T11:32:46","guid":{"rendered":"http:\/\/edmondmorrel.be\/?p=1788"},"modified":"2020-10-29T12:48:03","modified_gmt":"2020-10-29T11:48:03","slug":"rosa-bonheur-liberte-est-son-nom","status":"publish","type":"post","link":"https:\/\/edmondmorrel.be\/?p=1788","title":{"rendered":"\u00ab\u00a0Rosa Bonheur : libert\u00e9 est son nom\u00a0\u00bb"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">\u00ab\u00a0Rosa Bonheur\u00a0: libert\u00e9 est son nom\u00a0\u00bb de Gonzague Saint-Bris chez Robert Laffont<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Avec la passion que nous lui connaissons pour les destins de femmes qu\u2019il raconte (George Sand, Marie d\u2019Agoult, Agn\u00e8s Sorel&#8230;) le romancier et historien Gonzague Saint Bris nous donne aujourd\u2019hui la biographie de Rosa Bonheur, peintre rebelle du XIX\u00e8me si\u00e8cle qui fit l\u2019admiration de Delacroix, G\u00e9ricault et Corot. Des milliers de dessins et de tableaux, ainsi que des sculptures constituent une g\u00e9orgique pictural du si\u00e8cle pass\u00e9.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Une rencontre passionnante tant avec le personnage de Rosa Bonheur qu\u2019avec son enthousiaste biographe&nbsp;!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Edmond Morrel<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed-spotify wp-block-embed is-type-rich is-provider-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Spotify Embed: &quot;Rosa Bonheur : libert\u00e9 est son nom&quot;\" width=\"100%\" height=\"232\" allowtransparency=\"true\" frameborder=\"0\" allow=\"encrypted-media\" src=\"https:\/\/open.spotify.com\/embed-podcast\/episode\/1hC2vR8hRjFRfxNlKOL5Y3\"><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u00ab\u00a0Rosa Bonheur\u00a0: libert\u00e9 est son nom\u00a0\u00bb de Gonzague Saint-Bris chez Robert Laffont Avec la passion que nous lui connaissons pour&nbsp;[&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1789,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-1788","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-essais","post-item clearfix"],"_links":{"self":[{"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/posts\/1788","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1788"}],"version-history":[{"count":1,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/posts\/1788\/revisions"}],"predecessor-version":[{"id":1790,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/posts\/1788\/revisions\/1790"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/media\/1789"}],"wp:attachment":[{"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1788"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1788"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1788"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}