{"id":1409,"date":"2020-09-06T13:26:33","date_gmt":"2020-09-06T11:26:33","guid":{"rendered":"http:\/\/edmondmorrel.be\/?p=1409"},"modified":"2020-09-06T14:35:35","modified_gmt":"2020-09-06T12:35:35","slug":"la-rentree-de-ledition-belge-francophone-nevrosee","status":"publish","type":"post","link":"https:\/\/edmondmorrel.be\/?p=1409","title":{"rendered":"La rentr\u00e9e de l&rsquo;\u00e9dition belge francophone : N\u00e9vros\u00e9e!"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Dans le paysage \u00e9ditorial et litt\u00e9raire belge de langue fran\u00e7aise , l&rsquo;apparition d&rsquo;une nouvelle enseigne est \u00e0 applaudir des deux mains. D&rsquo;autant plus lorsqu&rsquo;il s&rsquo;agit d&rsquo;une initiative aussi inattendue que bienvenue comme les \u00e9ditions  \u00ab\u00a0N\u00e9vros\u00e9e\u00a0\u00bb <a href=\"https:\/\/edmondmorrel.be\/?p=579\">dont nous avons d\u00e9j\u00e0 \u00e9voqu\u00e9 les premiers titres parus dans la collection \u00ab\u00a0Femmes de lettres oubli\u00e9es\u00a0\u00bb<\/a>. La vocation patrimoniale de cette collection, centr\u00e9e sur des romanci\u00e8res dont les ouvrages ne sont plus disponibles , permet aux lecteurs curieux (et aux lectrices, bien s\u00fbr!) de d\u00e9couvrir des oeuvres \u00e0 la fois fortes et originales, dans l&rsquo;inspiration, le style, l&rsquo;\u00e9criture, les th\u00e8mes abord\u00e9s. Ainsi, avions-nous lu avec enchantement \u00ab\u00a0Dora\u00a0\u00bb de Marianne Pierson-Pi\u00e9rard (la fille de Louis Pi\u00e9rard , fondateur de PEN Belgique en 1922), mais aussi les romans de Anne-Marie La F\u00e8re, Louis Dubrau, ou, parmi les derniers titres parus, Marguerite Van de Wiele et son roman \u00ab\u00a0Fleurs de civilisation\u00a0\u00bb , pr\u00e9c\u00e9d\u00e9 d&rsquo;une \u00e9clairante pr\u00e9face de la philosophe et romanci\u00e8re V\u00e9ronique Bergen.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/edmondmorrel.be\/wp-content\/uploads\/2020\/09\/Capture-d\u2019\u00e9cran-2020-09-06-\u00e0-11.20.52.png\" alt=\"\" class=\"wp-image-1410\" width=\"238\" height=\"389\" srcset=\"https:\/\/edmondmorrel.be\/wp-content\/uploads\/2020\/09\/Capture-d\u2019\u00e9cran-2020-09-06-\u00e0-11.20.52.png 504w, https:\/\/edmondmorrel.be\/wp-content\/uploads\/2020\/09\/Capture-d\u2019\u00e9cran-2020-09-06-\u00e0-11.20.52-183x300.png 183w, https:\/\/edmondmorrel.be\/wp-content\/uploads\/2020\/09\/Capture-d\u2019\u00e9cran-2020-09-06-\u00e0-11.20.52-200x327.png 200w\" sizes=\"auto, (max-width: 238px) 100vw, 238px\" \/><figcaption>Couverture orn\u00e9e d&rsquo;un tableau de Sara Dombret<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Nous avons rencontr\u00e9 Sara Dombret, \u00e9crivain et juriste, nouvelle pr\u00e9sidente de PEN Belgique et initiatrice de cette maison d&rsquo;\u00e9dition dont elle pr\u00e9pare la rentr\u00e9e de novembre, ouverte dor\u00e9navant aux \u00ab\u00a0sous expos\u00e9s\u00a0\u00bb, les \u00e9crivains belges au masculin, dont les titres ont \u00e9galement disparus dans les oubliettes des lettres belges. Jean Muno, Georges Rodenbach, Jean-Baptiste Baronian et d&rsquo;autres encore dont nous parle dans une interview \u00e0 distance, Sara Dombret.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jean Jauniaux, le 6 septembre 2020.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Ecoutez Sara Dombret au micro de Jean Jauniaux\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/roR-mbsl7a4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Dans le paysage \u00e9ditorial et litt\u00e9raire belge de langue fran\u00e7aise , l&rsquo;apparition d&rsquo;une nouvelle enseigne est \u00e0 applaudir des deux&nbsp;[&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1410,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-1409","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entre-les-lignes","post-item clearfix"],"_links":{"self":[{"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/posts\/1409","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1409"}],"version-history":[{"count":2,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/posts\/1409\/revisions"}],"predecessor-version":[{"id":1412,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/posts\/1409\/revisions\/1412"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/media\/1410"}],"wp:attachment":[{"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1409"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1409"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}