{"id":1169,"date":"2010-11-21T17:17:28","date_gmt":"2010-11-21T16:17:28","guid":{"rendered":"http:\/\/edmondmorrel.be\/?p=1169"},"modified":"2020-08-02T17:25:50","modified_gmt":"2020-08-02T15:25:50","slug":"la-position-du-tireur-couche","status":"publish","type":"post","link":"https:\/\/edmondmorrel.be\/?p=1169","title":{"rendered":"La position du tireur couch\u00e9"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Une mani\u00e8re d\u2019entrer dans l\u2019univers du dernier album de&nbsp;<strong>Jacques Tard<\/strong>i&nbsp;: son interview et celle de&nbsp;<strong>S\u00e9bastien Gnaedig<\/strong>, directeur \u00e9ditorial de la mythique \u00ab\u00a0Futuropolis\u00a0\u00bb.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Editeur et\/ou directeur de collection dans les grandes maisons comme les Humano\u00efdes Associ\u00e9s, Delcourt, Dupuis,\u00a0<strong>S\u00e9bastien Gnaedig<\/strong>\u00a0est aujourd\u2019hui directeur d\u2019\u00e9dition chez Futuropolis. Il a \u00e9t\u00e9 l\u2019\u00e9diteur d\u2019Enki Bilal, de Dupuy et Berberian, Nicolas de Cr\u00e9cy, Dodo et Ben Radis, Dorison, Bec, Lauffray, Cecil. Il accompagnait Tardi lors de la rencontre que nous avons faite avec l\u2019auteur de \u00ab\u00a0La position du tireur couch\u00e9\u00a0\u00bb&#8230;une occasion \u00e0 ne pas rater pour interviewer ce grand monsieur de la BD, \u00e9diteur mais aussi auteur lui-m\u00eame. On lui doit, en tant que dessinateur, trois albums r\u00e9alis\u00e9s avec le sc\u00e9nariste Philippe Thirault\u00a0: \u2019Mes Voisins sont formidables\u2019 en 1999 , \u2019Un bon plan de chez bon plan\u2019 en 2001 et, en 2006, \u2019Une \u00e9paisse couche de sentiments\u00a0\u00bb. C\u2019est sous sa houlette \u00e9ditoriale qu\u2019avait vu le jour le \u00ab\u00a0Ciel au-dessus du Louvre\u00a0\u00bb de Bernar Yslaire et Jean-Claude Carri\u00e8re dans une collection r\u00e9alis\u00e9e avec le Mus\u00e9e du Louvre. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le nouveau roman graphique de&nbsp;<strong>Tardi<\/strong>&nbsp;est une adaptation magistrale du roman homonyme de Jean-Patrick Manchette&nbsp;: La Position du tireur couch\u00e9.<br>Tardi et Manchette avaient d\u00e9j\u00e0 co-sign\u00e9 un roman graphique&nbsp;: \u00a0\u00bb Griffu\u00a0\u00bb ainsi que \u00ab\u00a0Le Petit bleu de la c\u00f4te Ouest\u00a0\u00bb.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dans l\u2019introduction \u00e0 l\u2019album, Tardi fait allusion au film d\u2019Orson Welles \u00ab&nbsp;La soif du mal&nbsp;\u00bb dont Peter Bogdanovitch disait&nbsp;:&nbsp;<em>\u00ab&nbsp;le noir et blanc flatte la performance de l\u2019acteur, le noir et blanc est l\u2019ami du com\u00e9dien, car il met en valeur le jeu plut\u00f4t que la couleur des yeux ou le teint de sa peau. Il donne une atmosph\u00e8re, am\u00e9liore les d\u00e9cors.&nbsp;\u00bb<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Telle quelle on pourrait appliquer ce commentaire \u00e0 la version Tardi du roman de Manchette.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ecoutez cette double rencontre avec deux artistes de grande envergure.<br><strong><br>Edmond Morrel<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed-spotify wp-block-embed is-type-rich is-provider-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" width=\"100%\" height=\"232\" allowtransparency=\"true\" frameborder=\"0\" allow=\"encrypted-media\" title=\"Spotify Embed: La position du tireur couch\u00e9 1\/2\" src=\"https:\/\/open.spotify.com\/embed-podcast\/episode\/3TvBLXl9rqN90hAfV3eMik\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed-spotify wp-block-embed is-type-rich is-provider-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" width=\"100%\" height=\"232\" allowtransparency=\"true\" frameborder=\"0\" allow=\"encrypted-media\" title=\"Spotify Embed: La position du tireur couch\u00e9 2\/2\" src=\"https:\/\/open.spotify.com\/embed-podcast\/episode\/0CZQDKRKlobnLFkpFU96OK\"><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Une mani\u00e8re d\u2019entrer dans l\u2019univers du dernier album de&nbsp;Jacques Tardi&nbsp;: son interview et celle de&nbsp;S\u00e9bastien Gnaedig, directeur \u00e9ditorial de la&nbsp;[&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1170,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-1169","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bd","post-item clearfix"],"_links":{"self":[{"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/posts\/1169","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1169"}],"version-history":[{"count":1,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/posts\/1169\/revisions"}],"predecessor-version":[{"id":1171,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/posts\/1169\/revisions\/1171"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/media\/1170"}],"wp:attachment":[{"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1169"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1169"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1169"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}