{"id":1124,"date":"2009-09-05T15:27:03","date_gmt":"2009-09-05T13:27:03","guid":{"rendered":"http:\/\/edmondmorrel.be\/?p=1124"},"modified":"2020-07-22T15:29:59","modified_gmt":"2020-07-22T13:29:59","slug":"amours-fragiles-quatrieme-album","status":"publish","type":"post","link":"https:\/\/edmondmorrel.be\/?p=1124","title":{"rendered":"Amours fragiles : quatri\u00e8me album !"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">Comment dessiner l\u2019Histoire au quotidien<\/h4>\n\n\n\n<p>Dans cette rencontre , le dessinateur de la s\u00e9rie \u00ab\u00a0Amours fragiles\u00a0\u00bb, Jean-Michel Beuriot r\u00e9pond \u00e0 la curiosit\u00e9 d\u2019Edmond Morrel sur des questions li\u00e9es au travail du dessin dans la construction de l\u2019univers des personnages, dans les d\u00e9tails de leur quotidien. Jean-Michel Beuriot se compare \u00e0 un metteur en sc\u00e8ne de th\u00e9\u00e2tre&nbsp;: il cr\u00e9e les d\u00e9cors, il effectue des castings d\u2019acteurs&#8230;lorsqu\u2019ils ne lui conviennent pas, il les d\u00e9chire et les jette dans la corbeille \u00e0 papiers&#8230;<\/p>\n\n\n\n<p>Il explique aussi la distance entre le travail du romancier (comme Simenon par exemple) et le dessinateur de bande dessin\u00e9e.<\/p>\n\n\n\n<p>Une \u00ab\u00a0master class\u00a0\u00bb \u00e0 propos d\u2019une tr\u00e8s belle s\u00e9rie&nbsp;: les amours fragiles dont le quatri\u00e8me album porte le pr\u00e9nom de \u00ab\u00a0Katarina\u00a0\u00bb<\/p>\n\n\n\n<p>Edmond Morrel<\/p>\n\n\n\n<p><strong>Pr\u00e9sentation de l\u2019\u00e9diteur\u00a0:<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed-spotify wp-block-embed is-type-rich is-provider-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" width=\"100%\" height=\"232\" allowtransparency=\"true\" frameborder=\"0\" allow=\"encrypted-media\" title=\"Spotify Embed: Amours fragiles : quatri\u00e8me album !\" src=\"https:\/\/open.spotify.com\/embed-podcast\/episode\/098c0BznKXIrkf5iCWm7ek\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><em>Octobre 1940. Casern\u00e9 dans la r\u00e9gion de Cologne o\u00f9 il s\u2019ennuie ferme, Martin s\u2019efforce d\u2019obtenir sa mutation \u00e0 Paris, esp\u00e9rant secr\u00e8tement pouvoir y retrouver Katarina, son ancienne voisine d\u2019autrefois, juive allemande r\u00e9fugi\u00e9e dans la capitale fran\u00e7aise.<\/em><\/p>\n\n\n\n<p>Pendant ce temps, \u00e0 Paris justement, Katarina est devenue Catherine. Tr\u00e8s discr\u00e8te sur la question de ses origines, la jeune femme y est t\u00e9moin du durcissement acc\u00e9l\u00e9r\u00e9 des dispositions antijuives orchestr\u00e9es par le r\u00e9gime de Vichy. En ligne de mire, parmi tant d\u2019autres, son oncle Pierre, petit industriel patriote et ancien combattant de 14-18, qui va se voir brusquement d\u00e9poss\u00e9d\u00e9 de l\u2019entreprise qu\u2019il dirige au seul motif qu\u2019il est isra\u00e9lite\u2026<\/p>\n\n\n\n<p><em>Quatri\u00e8me volet, tr\u00e8s attendu, de la s\u00e9rie Amours fragiles. Beuriot et Richelle y perp\u00e9tuent avec brio le registre r\u00e9aliste o\u00f9 ils excellent. El\u00e9gance et finesse, avec un tr\u00e8s grand sens de la v\u00e9racit\u00e9 historique, du jeu subtil des relations humaines et du d\u00e9tail qui sonne juste.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Comment dessiner l\u2019Histoire au quotidien Dans cette rencontre , le dessinateur de la s\u00e9rie \u00ab\u00a0Amours fragiles\u00a0\u00bb, Jean-Michel Beuriot r\u00e9pond \u00e0&nbsp;[&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1125,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-1124","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bd","post-item clearfix"],"_links":{"self":[{"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/posts\/1124","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1124"}],"version-history":[{"count":1,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/posts\/1124\/revisions"}],"predecessor-version":[{"id":1126,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/posts\/1124\/revisions\/1126"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/media\/1125"}],"wp:attachment":[{"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1124"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1124"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}