{"id":1086,"date":"2011-07-02T13:46:51","date_gmt":"2011-07-02T11:46:51","guid":{"rendered":"http:\/\/edmondmorrel.be\/?p=1086"},"modified":"2020-07-22T13:54:15","modified_gmt":"2020-07-22T11:54:15","slug":"ecoutez-soline-de-laveleye-au-micro-dedmond-morrel","status":"publish","type":"post","link":"https:\/\/edmondmorrel.be\/?p=1086","title":{"rendered":"Ecoutez Soline de Laveleye au micro d\u2019Edmond Morrel"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">De Soline de Laveleye on conna\u00eet les textes courts qu\u2019elle publie r\u00e9guli\u00e8rement dans la revue MARGINALES, les po\u00e8mes et les textes dramatiques. Avec \u00ab\u00a0La Chambre\u00a0\u00bb, elle nous invite \u00e0 entrer dans une pi\u00e8ce blanche, en suivant le fil d\u2019Ariane que d\u00e9roule Ga\u00eblle de Laveleye, sa s\u0153ur cadette qui est aussi une remarquable complice d\u2019illustration. L\u2019auteure se livre aux entrelacements d\u2019extraits du journal imaginaire d\u2019une certaine A. et des phrases dites par la narratrice. Nous entrons dans une chambre blanche, dans l\u2019inconnu, dans le myst\u00e8re que peut-\u00eatre les mots parviendront \u00e0 \u00e9lucider. Et s\u2019ils n\u2019y arrivent pas, ce seront les cris dessin\u00e9s qui prendront le relai\u00a0? Ou alors, le mot qui cl\u00f4t ce r\u00e9cit hypnotique\u00a0: \u00ab\u00a0pourquoi\u00a0\u00bb\u00a0?<br>Laissez-vous entra\u00eener dans cette r\u00eaverie envo\u00fbtante, compos\u00e9e \u00e0 quatre mains. Chacune des deux auteures, avec ses armes et ses langages, tente \u00e0 n\u2019en pas douter de d\u00e9sincarc\u00e9rer l\u2019indicible.<br><strong>Edmond Morrel<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed-spotify wp-block-embed is-type-rich is-provider-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" width=\"100%\" height=\"232\" allowtransparency=\"true\" frameborder=\"0\" allow=\"encrypted-media\" title=\"Spotify Embed: Ecoutez Soline de Laveleye au micro d\u2019Edmond Morrel 1\/2\" src=\"https:\/\/open.spotify.com\/embed-podcast\/episode\/2oNd0vXn65QwFEfmisiIF2\"><\/iframe>\n<\/div><figcaption>Soline de Laveleye au micro d&rsquo;Edmond Morrel<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-embed-spotify wp-block-embed is-type-rich is-provider-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" width=\"100%\" height=\"232\" allowtransparency=\"true\" frameborder=\"0\" allow=\"encrypted-media\" title=\"Spotify Embed: Ecoutez Soline de Laveleye au micro d\u2019Edmond Morrel 2\/2\" src=\"https:\/\/open.spotify.com\/embed-podcast\/episode\/1Xe5Sg0jlM2b47ql4B1AZl\"><\/iframe>\n<\/div><figcaption>Lecture d&rsquo;un extrait de \u00ab\u00a0La chambre\u00a0\u00bb par Soline de Laveleye<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Pr\u00e9sentation sur le site de <a rel=\"noreferrer noopener\" href=\"http:\/\/www.bela.be\/homepage\/oeuvres\/oeuvre.aspx?id=92579\" target=\"_blank\">BELA<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>La chambre est celle de l\u2019enfermement, \u00e0 la fois cellule d\u2019unit\u00e9 psychiatrique et espace mental de l\u2019ali\u00e9n\u00e9, o\u00f9 viennent se cogner les images et les mots. C\u2019est aussi la chambre d\u2019\u00e9coute, lieu de r\u00e9sonance o\u00f9 se d\u00e9ploie l\u2019\u00e9criture, la page blanche o\u00f9 sont trac\u00e9s les phrases et les traits qui attesteront d\u2019une existence, pour contrer l\u2019oubli et l\u2019effacement \u2013 la dilution d\u2019un \u00eatre.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>La Chambre propose un texte multiple, \u00e9clat\u00e9 entre les mots et les blancs, les lignes et les taches, la figuration et la suggestion, qui forme pourtant un seul mouvement, et livre ainsi au lecteur une parole \u00e9corch\u00e9e, toujours au bord de l\u2019essoufflement, mais qui ne renonce pas au r\u00e9cit, dans une tentative aigue d\u2019\u00e9chapper \u00e0 la dissolution compl\u00e8te, \u00e0 l\u2019extinction blanche de la chambre d\u2019enfermement.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>De Soline de Laveleye on conna\u00eet les textes courts qu\u2019elle publie r\u00e9guli\u00e8rement dans la revue MARGINALES, les po\u00e8mes et les&nbsp;[&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1087,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1086","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-litterature-dici","post-item clearfix"],"_links":{"self":[{"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/posts\/1086","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1086"}],"version-history":[{"count":1,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/posts\/1086\/revisions"}],"predecessor-version":[{"id":1088,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/posts\/1086\/revisions\/1088"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=\/wp\/v2\/media\/1087"}],"wp:attachment":[{"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1086"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1086"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/edmondmorrel.be\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1086"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}